Fragments, notes, and visual thoughts from the field.
Every photograph is a negotiation with time — a fraction of a second pulled from the current of the living world. I've been thinking lately about what it means to find stillness not in absence of movement, but within it.
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Art direction doesn't begin on set — it begins in the mind, weeks before. The edit is not a correction of reality, it is the crystallisation of intent. This piece explores how post-production shapes narrative.
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The medina of Marrakech in the hour before dawn is a different city. The light comes sideways through stone corridors and falls on empty squares like something deliberate. I shot 400 frames and kept eleven.
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There is a recurring assumption that shooting on film is an aesthetic choice — a reach for warmth, grain, and memory. I want to challenge that. Film is a discipline. It is constraint as teacher.
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